TRADITIONAL UL-DAUL MUSIC

CHAPTER I

A.    Foreword

Along with the progress of time, tradition and culture of the area that was originally held firm, maintained and kept in existence by every tribes, now almost extinct. In general, people feel pride and shame when still retain and use the local culture or local culture. Most people choose to display and use the arts and modern culture than the culture of its own that comes from the real local culture or locals cultures which is in accordance with people's personality.

They prefer and move to a foreign culture that has not been accordance with the personality of the people even more proud of a foreign culture than the culture that comes from its own

Without them knowing that the culture of the region is a major factor of national culture and the formation of local cultures that they have is a wealth of extremely valuable and should be maintained and the preservation of its existence by every individual in society. In general, they do not realize that the real culture of a national identity that reflects all aspects of life within it.

Basically every cultures that emerged in a society will continue to survive and thrive if peoples still think that cultures still have good values ​​and sacred. So as to alter or replace a culture that is inherent in the soul of a society is not easy things to do.

I hope with the establishment of a paper entitled "Traditional Music Ul-Daul" discusses the culture in which those from the East Java has become one of the means for people to realize how precious a culture of a nation, which ultimately will make people feel proud to be a cultural their own areas.

INTRODUCTION

A.    Problem Background

Culture that emerged in a society is a form of copyright of each individual community that exists in certain areas. Therefore, of course, in our social life will find a variety of cultures and behaviors of different cultures from each other. However, not a few people who have similar views and interpretation of these cultures.

Every culture that emerged in a society will continue to survive and thrive if people still think that cultures still have good values ​​and sacred. So as to alter or replace a culture that is inherent in the soul of a society, not an easy thing to do.

B.     Purpose of making paper.

• To fulfill the task of anthropology courses.

• To know the history behind and the values ​​of that culture.

C.    Limitation of paper.

• I'm only watching habits or culture "Ul-Daul Traditional Music" in Madura

TRADITIONAL UL-DAUL MUSIC

A.    Understanding

Ul-Daul music, for peoples of Madura is a phenomenon of art (music) tradition that began many public interest. Ul-Daul, principally as a percussion instrument that does not require a lot of musical experience in playing it. Ul-Daul phenomenon is actually a musical development of Tong-tong, who since the beginning of a distinctively Madura music played by a blow monotonous but gave birth to a dynamic rhythm as the music of percussion in general.

Tong-tong music, requires simple tools that come around the community that are all made from bamboo. There are several types of measures are made ​​of bamboo strips; of starting a large length of about half to one meter in diameter 40-50 cm, which would give birth to a big sound. While the next size, decreasing according to the needs of rhythm. When beaten (beaten with a piece of wood), each drummer has at static / monotonic, but the diversity of different types and sizes eventually become rhythm and beautiful harmony.

Tong-tong music, often referred to the Sumenep, never developed into the musical "Ghursah", which was developed as a form of musical accompaniment of songs, which generally Madura songs by artist, while still wearing percussion. But the music Ghursah developed with musical instruments is greater, not only made ​​of bamboo, but also made ​​of logs. Tong-tong or ghursah often called, dhung-dhung, bung-bung, and other names.

This Ghursah music, performance specifications are shown in the open as a public spectacle. Even to show intent of marriage, as well as events welcoming guests; guest room visits and tours. But unfortunately, this Ghursah music just disappear.

B.     Ul-Daul, Developer of  Tong-tong Music

As music Tong-tong, Ul-Daul at the beginning of development was exhibited as a dawn patrol music, but music in its development barrels less desirable, because - perhaps - other musical instruments began to be used the dawn patrol. Not even the musical instruments that started the change, the sound equipment (sound system) is much more practical and loud group used this patrol around the village. This is where the traditions of dawn patrol in the Ramadan month increasingly rare.

Somehow the beginning, there seems to be no written agreement of the offender dawn patrol. Perhaps they (dawn patrol) motivated a musical phenomenon in Indonesia, so the music developed more barrels become more proportionate. Musical instruments is no different than previous instruments, but here comes a new instrument, although very simple. Such examples, to give birth to the rhythm of the melody they use gamelan musical howl, or to drum, they use gallons of mineral drink to bear the sound of bass, and others.

Same with the Ul-Daul, an instrument that is used is certainly larger and more complete. Forming such a musical rhythm peking, kenong, drums and equipment that is mandatory vats, dung-dung, dug-dug, bung, bung, and the like to create a more dynamic sound. Until now the creator and giver of the name of Ul-Daul, is not known, but some people think, said Ul-Daul, derived from the word "slang", ul-slang ", and in eases into" ul-Daul ". In pronunciation and expression of the Madurese, for example: a boy called "kacong" but often called "encung", for women "cebbhing".

As kerapan sapi, Ul-Daul festival eventually become a means of achievement for the participants. Not only the music that is displayed, but further appearances in the show with various forms of accessories that are very dominant as a form of festive appearance. Moreover, the appearance in the festival Ul-Daul supported entirely by local governments in the region of Madura, thereby increasing enthusiastic participants with a variety of motivations.

Appearance in the festival Ul-Daul considerable cost, to the cost of a complete set of instruments Ul-Daul could reach 30-40 million. And in the process of supporting the cultivation media, simply do not place one day before the start of the festival. And even flashing the lights and spotlights (even a strobe light) into a festive ornaments from each participant, including speakers (sound system, large capacity), and diesel electric power during the course of the festival.

But in reality, Ul-Daul not just appear when the dawn patrol Ramadlan month, but it evolved into a spectacle during the days of the anniversary of national, as well as the closing ceremony of the school, imtihanan, even warning the days of Islam. For in presenting songs, Ul-Daul can adjust the conditions required songs, the songs can Madura, or Islamic songs are often sung in music qasida.

More interestingly, Ul-Daul music has penetrated his appearance in various regions, cities and other areas, to get enthusiastic and encouraging response. So no doubt, when music became a phenomenon Daul Ul-music tradition of the Madurese.

C.    History of the background

Madurese cultures often considered a major part of Javanese culture. But if we try to see how the cultural character of Madura course we will increasingly understand that the Madura has a very distinctive characteristics and distinct from any culture. Even though there may still be some elements that can intersect.

In terms of music. Let's look at the music. Ul-Daul. From the name alone is very distinctive with a looping madura language of the dominant word. In a poem full of repetition and rhythm consistent. Intention smart tone with the rhythmic stomping and flirty. As is typical of the Madurese are agile, nimble and decisive. At first glance like the music of Bali. But the instruments used are completely different. Even the smell Javanese gamelan dominate. Ul-Daul real music does not make gamelan as the main stage. But the element-Tog Tog control the entire look of bamboo music.

Ul-Daul firstly comes from the habit of Maduran youth in the month of Ramadan. They drive around the village intends to awaken the dawn through the music. Bamboo as a representation of sounds in the night safe environment. Daul then ul-communication really is the sound, sound and music are transformed from mere securing a call of worship of Islam namely for dinner (sahur) and fasting.

Now that music has become part of community life. Daul ul-emerged as a new form of musical culture in Madura. Daul ul-music into a cultural expression of a distinctive voice their full potential Madura. Music is now out of mere sound of the main cedar. But was become a whole attribute Madura. Sound, chanting, language, worship, and the hearts of all the people are attached to the symbol of Madura's. It is true that the ul-Daul now belong to the public. Madura and belongs to the whole culture. And I think it is true that local governments make music ul-Daul as a symbol of pride. Let's enjoy. And maintain.

Traditional Music ul-Daul already familiar to the people of Madura, especially  Sumenep. Music was originally born out of traditional music vats. About four years, the development of music-ul Daul quite rapidly in the three districts. Namely Sumenep, Pamekasan, and Sampang. Now, the ul-Daul became part of the wealth of art and cultural treasures of the Madurese.

Ul-birth of music history up to now unknown Daul. However, the timeline is going to the existence of many associations and ul-Daul in Madura, especially Sumenep, Madura is a proof that the art-rich soil.

Now, music has become one of the many arts that are often displayed in a variety of activities. Start, salvation, hitanan, until marriage.

D.    The Value Of Culture Music Ul-Daul

UL-Daul is the art of the religious culture in the Madurese community to wake people up at night in Ramadhan for eating a meal. Initially some people use kentongan that sounded around the village, but as time goes by, kentongan replaced with traditional musical instruments so that Ul-Daul Madura is now famous for its distinctive music from Madura.

Usually the people who play it are a bunch of good society of small children or from adults. They usually play the Ul-Daul music start from 1 until 3 hours a night. I rarely find Ul-Daul music that continues to play until the pedzikir in mosques and in steady sholawat their invitation to the meal.

E.     Research of Traditional Music Ul-Daul

Madura traditional music Ul-Daul as one characteristic of musical pride Madura, has begun to be abandoned following the rise of modern music that continues to color the music in this country.

But in Pamekasan Madura, some communities still continue to strive to preserve this natural musical culture by establishing a group of traditional music, especially the so-called Ul-Daul this. such as music groups “Joko Maro” that based on Jl Darma Pamekasan. Although still relatively new, but the spirit to continue outreach to the community continue to be made at any time.

In fact, to further enliven every gig, music groups of young people deliberately collaborated with a number of similar groups of traditional music and arts groups, such as pancak martial arts as well as modeling.

Believer, the coach Joko Maro said it housed the young people to be creative so that they can later continue the legacy of ancestral art, especially music Madura Ul-Daul. "From them hang out every night of the week is clearly the goal, mending we make the show entertaining by involving them," he said when met at the sidelines of the staging of Joko Darma Pamekasan Maro on Jl.

According to believers, to further entertain the audience it was collaborating with the music Ul-grandson Daul UB Ronggo and Families Association (IKAMRA) from 0826 Kodim Pamekasan.
With the accompaniment of traditional music that smart, the modeling of the pretty waltz shows his skill in front of people. After that came out two women dressed in martial arts uniforms for martial arts also show some attraction, either alone or in a duel with his opponent. "With this kind of collaboration, people who see not only music but also enjoy the attractions of the permissibility of women fighters are entertaining and modeling," concluded the believer.

In Sumenep  music traditional ul-Daul was difficult to quantify because it is quite a lot of traditional music, Estimated that each village has a bevy of ul-Daul, One is the traditional music ul- Daul Arrisalah Gong Mania, south Bataal Village, District Ganding, that music traditional ul-Daul was carried the name of Sumenep ranks second in the international music competition. A lot of things behind the process to make points to win it. Both meterial, moral, and unyielding spirit.

Chairman of the music ul- Daul “Arrisalah Gong Mania”, Abul Khaoir, explained, the principle of developing a collection of his stand on the spirit of preserving the heritage of our ancestors. According to him, ul-Daul is a distinctively natural music all Madura's. Because, in the musical development of ul-Daul never left the wasp (the music) Madurese natural breath. Starting from the rhythm, music, and accessories that complement the traditional music.

So, do not overdo it when it first established the gong Daul ul-mania in 2002 he could be a day of practice. "Apparently, chant music wasp can eliminate fatigue and other busy," said Khoir.

However, for establish the music community is not easy. He tells us, about first time ul- Daul gong mania established with the limitations.

Although armed with simplicity, this community would not compete with ul-Daul which older  than that Ul-Daul. In 2004, many residents are invited ul- Daul gong mania to appear.

"The mediocre funds, we add the necessary equipment. As jidul, trumpet, and a car to carry the background that ul-Daul," he said.

For one-ul Daul with complete equipment, it takes at least USD 30 million fund. While invited to perform every time, the charge varies. To the local $ 1 million. And outside of Rp 1.5 million.

With rental rates, he just got a little advantage. Therefore, the number of musicians to be paid 10 people with a trainer. But, he said he was happy. Because a few years later the society is growing increasingly rapidly. Thus, his name is more familiar to many people. , Khoir`s explained

However, personnel and line managers was never satisfied. The more often performed in various big stage, administrators increasingly challenged to reorganize the group.

From the history of his journey, the spirit is capable of delivering the music gong Daul ul-mania won many prestigious competitions. In 2006, it became the first winner traditional music performed PCNU Pragaan.

In 2007 I declared as the best champion in the grand prix contemporer  traditional art in Sampang new year 2007. Champion best decorations and music presenters in a traditional music performance by FKPPI Sumenep Madura.

In addition, in 2008 re-form the best champion in the grand prix contemporer traditional art. Peak, was asked to represent gong mania Madurese traditional music in the national championship.

With a series of achievements, they should be proud. However, honor and grace are not gong mania to make the drift. Therefore, the aim is to encourage the establishment of community preserve traditional culture. And provide a full entertainment culture Madura. "With this music, we love to grow a culture

CLOSING

A. conclusion

Ul-Daul traditional music is a new culture in Madura, but although this is still a lot of new cultures community Madura traditional who like this music.

Daul ul-music is an outgrowth of the usual thong Thong-on clubbing at night in the wake of the fasting month for the local community. As the patrol Sahur usually began to play the thong-thong of the day 1 to day 3.

Ul-Daul at first it comes from the habit of Madura in the month of Ramadan youth. They drive around the village intends to awaken the dawn through the music. Kentongan bamboo as a representation of sounds in the night safe environment.  Ul-Daul then communication really is the sound, sound and music are transformed from mere securing a call of worship of Islam. Meal and fasting.

INDEKS